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Bring Out Your Dead: Crispin Resurrects Orville Redenbacher
How Not to Sell Popcorn 101
First I'd like to say that I'm not a typical Crispin hater (i.e., a jealous creative who wished I could have a shot to do work like that), but the agency has crossed the line with its new spot for Orville Redenbacher. I'm going to try to keep my trap shut and leave the ad reviewing to Bob Garfield, but I have to vent a little. When Crispin first won the account, I joked privately that they'd dig Orville Redenbacher from the grave. Well, that seems to be exactly what the agency did, presenting an unsuspecting audience with an iPod-wearing, dead-eyed zombie.The agency, the marketer and Digital Domain are crowing about the ground-breaking technology used here, but this technology is not ready for prime time. Firstly, the Orville zombie sounds nothing like the original. More important, it is visually jarring ... my emotions ranged from "this is amateurish-looking crap" to "holy jeebum crow, this scares the hell out of me" -- especially near the end, when the Orville zombie's shoulder start hitching and it looks as if he's about to hack up a hairball.
I'm not the only one. The Copyranter, writing at Gawker, weighs in with a typically scathing word or two (my favorite: the ad industry would "reanimate dead Darfur babies if they could get away with, and it sold product." Patrick's Place chimes in as well, saying the zombie looks "more like Dana Carvey made up to look like an old man." In an aside, columnist/author/blogger James Lileks describes it thusly: "high octane nightmare fuel. It's a desiccated undead zombie-mummy in a bowtie, and it will steal your soul."
I'll try to update this with more Zombie-Orville-related posts as they appear.
"Grandpa would go for it. He was a cutting-edge guy," grandson Gary told USA Today. "This is a way to honor his legacy."
That might be true. But it certainly doesn't make me want to eat popcorn.
UPDATE: Best quote of the day?? "FINALLY, Redenbacher with an iPod. Now I can relate to THIS. Watching the new putty faced Redenbacher handle a bowl, my once lifeless appetite for his air fluffed popcorn was immediately replenished. Nicely played Redenbacher, nicely played." From Joy Hog.
UPDATE 2: The New York Times gets in on the act.
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Leaving aside moral/queasiness/ethical/taste issues -- as we expect people to do these days -- the question anyone should ask before doing one of these spots is not "how?" but "why?".
This is just a crappy ad -- it would be just as crappy if that were Orville himself. Does anyone at CP+B believe for a minute that the "news value" or "shock value" (as if!) of the spot will help sell popcorn? If so, they need to get their heads out of wherever they keep them and back into the real world that doesn't care about how "cutting-edge" spot production technology has become.
Jeez, what a waste.
It is hard to say how this slop could have seemed smart even in the dark of night with a deadline.
This ad freaks me out and compels me to ask anyone i am sitting with when i see it if this is not the worst ad they have ever seen. It is interruptive in all the wrong ways.
Why do i want to buy this popcorn?
Measuredup.com
Being an admirer of CP&B for many years, I'm really surprised at the weak concept and execution of this spot. They're apparently trying to use the same formula that worked with resurrecting the King for BK. But this blast from the past doesn't hit the mark. Ken's article is dead on.
Jim Caputo
Celebration, FL
Is it me or do ad agencies just want to "out do" each other on the "creative" front rather than do what they are supposed to do - sell products.
I couldn't figure out if this was someone like that amusement park guy who dances in a mask, or if it was computer-generated, but it does not want to make me buy popcorn. In fact, it makes me vaguely sick because Orville looks so creepy.
Euewwwwwww...
Mike Feher...St. Louis
There is more than one party to this effort here that may have failed to understand the O.R. brand and quality production.
Perhaps you could resurrect Julia Child for Cuisinart next, and have her bleed all over a kitchen set. On second thought, please just hire Dan Ackroyd. He might actually make that work.
CPBers: Bad creative is bad creative.
I've had a fun blogversation with a bunch of their anonymous posters ... http://topazpartners.blogspot.com/2006/05/crispin-porter-bogusky-cover-article.html
Adam Zand, Topaz Partners, Woburn, MA
If he looked realistic, there would be no point. The gag is that he's clearly a parody of advertising that was never good to begin with.
And I have to assume 50% of popcorn is eaten by those under 40.
At the end of the day, brand relevance, even for popcorn, is everything. And making a spot that no one under 40 even understands, is how to make a brand irrelevant.
That's my take. - Andrew Baker, Orange Man in Space, Los Angeles
Maybe they didn't miss their target market entirely, but they certainly scared me.
I hope they either kill this or brainwash us to the point that we quit caring about how freaky this ad is.
Seriously, did someone just sneeze this out of their ass?
Tell me you are kidding. Please.
You cannot honestly believe that Crispin spent God only knows how much time and money to make their necrophiliac homage to Orville seem deliberately "unreal" -- to say nothing of unnerving.
Are you that much in the tank for Crispin? Are you so blinded by all the buzz surrounding them that you have surrendered your critical faculties?
I went back and read a couple of articles about the commercial in Adweek (sorry, Ad Age) and USA Today. Nowhere did anyone say that their goal was to make Orville look utterly unconvincing.
They even quoted the guy's grandson. Do you think he or other family members would intentionally allow the agency to make Orville look so ridiculous?
But even if you take the technology out of the equation, the fact remains is that it is a lousy commercial. The concept, the writing, the acting, the directing (by David Fincher, no less) would make even Ed Wood cringe.
If Crispin's so-bad-it's-good, so-lame-it's-hip approach is "soaring" over our heads, looks like we're not alone. Here, courtesy of Cartoon Brew, are just a few of the "raves" popping up on blogs:
"Y'know, I thought that cannibalizing old footage of Fred Astaire was kind of a tacky idea 11 years ago. But after this, I'm beginning to like the first idea."
"While watching Criminal Minds tonight, I saw the most sick and disturbing thing--yes, the commercials featuring a reanimated Orville Redenbacher. If you haven't seen it, it's not an old films clip or anything--it's basically CGI of a man's corpse dancing around. I'm sorry, but that's just freaking creepy."
"Digital Orville Redenbacher freaks me right out. He is dead. Let's let him be dead. Because Zombie Orville is just wrong, wrong, wrong."
"I just saw the scariest shit ever. A commercial for Orville Redenbacher popcorn in which they used the man himself as a spokesperson. Yes, he's been dead for some time. They brought him back anyway. So beyond the questionable wisdom of using a dead man as your spokesman, they decided to go totally digital. So now it actually looks like they dug up the old man's corpse and made it talk and move with marionette strings. The lips don't even sync with the dialogue!"
(As a side note to Mark Hayden, yes, people talking about a commercial is good. But people talking about how disturbed and disgusted by a commercial -- so much so that it turns them off from buying the product being advertised -- well, that's not so good. If negative buzz is a good thing, then that inane Head On commercial would win the Grand Prix at Cannes.)
The bottom line is, there's nothing hip or edgy or daring or innovative about this commercial. It sucks. Period.
Tell the truth, Jason: If the same commercial had been vomited forth from the bowels of, say, Grey or JWT, would you still be praising it?
To Ken Wheaton:
I take issue with your characterization of people who criticize Crispin's work as "haters" who are merely "jealous" that they don't have the opportunity "to do work like that."
There is no denying Crispin does some wonderful stuff (Truth, Mini, Virgin Atlantic, much of their work for BK and VW) and they deserve much of the acclaim that is tossed their way.
The problem is, you people in the press go overboard in kissing up to them. You -- and apologists like the aforementioned Jason K -- accept almost everything they say and do unthinkingly and uncritically.
They are great, no question. But they are not perfect. Consider Coke Zero. Or Earthlink. Or Haggar. Or Sprite. Or Miller Lite. And now this fiasco.
What you would dismiss as sour grapes others see as a necessary corrective to the incessant ass kissing on the part of Ad Age, Creativity and the rest of the trade press.
Sorry for such a long post. But hey, it's snowing and I'm stuck home with nothing better to do.
One.
Trick.
Pony.
Sorry, but I haven't seen anything truly fresh, creative, and EFFECTIVE come out of that shop since the days of MINI Cooper, and that was what, five years ago? Just about everything since has been an increasingly retarded (and embarrassingly similar) variation on the same infantile, cartoonish crap.
The emperor needs new clothes.
And Bogusky/Benjamin/that whole Miami crew needs to be sent to Time Out.
Diana Komjati, Chippewa Lake, OH
This so freaky and a bad idea on so many levels, I can't help but love it.
Touche!
Bkeffer www.latinnewswire.net
Please, Everyone. You're talking about it. You're reacting to it. The feeling you have about this 30-second TV spot is so compelling, like it or not, you're pouring your heart and soul out. Haters. Hate. ERs. No matter how hard you try to bash CP+B's work, their message is clear: That old bastard cares so much about popcorn, he'd rise from the dead to make sure substandard corn and lackluster taste aren't the norm for his company. Where's Dave Thomas? Where's The Colonel?
Those guys are loafers. Orville's the kind of guy I want running my company. Redenbacher first, Bogusky second, then Porter. RB+P.
One more question... give me a line, a message, a USP of any Orville competitor? Quick.
Thought so. The only one that I came up with was Jiffy Pop and those stovetop aluminum mushroom cloud trays of 20 years ago. People, just watch in awe and let those guys lead the way. Again.
Ronn Pearson, Miami, FL
Mark C. Cols. Ohio
mark@engageinteractivemedia.com
Why are you guys so weirded out by this? I think it hits on an emotion that is not being used by any marketer out there.
Say what you want, but CPB definatly knows how to make people talk. If you want a hard sell, talk about infomercials, and P&G ads. I dont think its fair to say it sucks because it doesnt want to make you buy popcorn. CPB looks more to impliment brands into culture, and they are extremely good at it.