Behind the Scenes of the McFlurry-'30 Rock' Deal That Wasn't
Scene in NBC Show Was Not Paid Placement After All
At a time when so many more TV shows are weaving cars and soda cans into their stories to drum up extra money from advertisers, NBC's "30 Rock" has managed to stand apart. Oftentimes, when the writers include a paid appearance by a bottle of Snapple or something from Verizon Wireless, they let the characters wink at the audience and make fun of the producers dropping their trousers to get a few more dollars' worth of ad revenue into the General Electric network's corporate coffers.
So it's no surprise that a lot of folks who saw last week's episode assumed that the inclusion of McDonald's and its McFlurry product in the story line was another example of the producers getting creative with having to jam another marketer into the program. McDonald's aired an ad during the episode, making it even easier to believe that the massive burger chain had paid for its products to be mentioned by Alec Baldwin and Salma Hayek, whose characters are dating and reconciled after a spat at a local Mickey D's franchise. "It wasn't the clever, winking product placement that can get away with itself; it was more like bad ad copy," wrote Hamilton Nolan on Gawker last week.
Ah, but we here at Adages, for once, actually picked up the phone and made a few calls! As it turns out, the McDonald's inclusion was really part of the script; McDonald's didn't pay for it, said Jennifer Lane Landolt, director-entertainment alliances for McDonald's. NBC's ad-sales department was also made aware of the inclusion, according to an NBC spokeswoman.
"30 Rock" approached executives from the restaurant chain in advance, asking if they could make use of a McDonald's restaurant for filming purposes, she said. McDonald's executives examined the script and found nothing in it that portrayed the company and its restaurants in a bad light, Ms. Lane Landolt said. "If we felt that something disparaged the brand, we would have pushed back on what they did, but no, we didn't make any changes," she said. The episode was shot in a restaurant operated by an independent New York City franchisee, who was paid for the time his store was closed. The McDonald's ad that ran during the show was "part of our traditional media buy," said Ms. Lane Landolt; no advertising was moved around specifically to be near the "30 Rock" episode.
Even so, there was a perception among viewers that the McDonald's appearance might have been a paid-for sort of deal -- which just goes to show how one production staff's creative stance on product placement can turn even the most wide-eyed audience member cynical. In 2006, the fictional staff of writers portrayed on "30 Rock" derided the fact they were being made to include Snapple in the story line, then winkingly talked about how much they love the iced tea. Last year, Tina Fey's character talked about how much she loved products made by Verizon Wireless, then turned to the camera and said, "Can we have our money now?"
It all makes you wonder: Has "30 Rock's" facility at mocking products with one hand and collecting money for doing so with the other made the show a more difficult venue for this sort of thing? If pundits and viewers assume that any brand mention on the show is part of an elaborate shilling deal, then how appealing can those products be? It's enough to make Liz Lemon, "30 Rock's" heroine, stay home from work.












I'm sure the idea was born apart from the marketing department, but to say that this is not an ad is only valid if the company featured is not paying you.
If the writers set a scene in McDonald's and built a plot point around McFlurry (which is a funny word) independently of McDonald's, then that's just part of the writing process and is not an "ad." And there's a difference between buying a 30-second spot and being a presenting sponsor or some such.
I tend to be pretty skeptical about whether everyone is telling the truth here. But, I have to disagree with you that a writer including a product in a scripted show is necessarily intended as a brand integration aiming to please the advertiser. If a journalist mentions Starbucks in a positive light in an article, and the ad department sells Starbucks an ad, did the journalist deliberately try to make the advertiser happy? No. In any business with integrity the two can be mutually exclusive events. Anyone who has studied branded entertainment will tell you that getting writers to shape a whole script around a product -- as they did with this edition of 30 Rock -- is quite the undertaking.
Interesting though isn't it?
Jonah
But that aside, I think there's a larger issue at hand. And that's the fact that we should really stop splitting hairs over this indistinguishable line between what is inclusion and what is not.
The WGA was all in a stink over this a few months back -- about how they didn't want to be forced to write products into their scripts without some sort of obvious disclosure. (Notice how, unlike with the money issue, they didn't strike over it. Hmmmm.) Yet, there's no stink if they come up with the idea first?
I kind of feel that that more we allow content producers to define what is inclusion, the more trouble we have with them down the line. I feel like we need to use examples like this to both showcase that it doesn't "ruin art" to work products into scripts, and that even when we're not being paid we can't legitimately say it's not an ad for the product. Advertising is a part of life, so why shouldn't it be part of shows? In fact, every time you tape over a logo, you're doing more to ruin reality than to create it.
Again, I think all of your points are valid and I don't mean to be contrary. Just want to push forward the idea that there's a bigger battle to be won here.
Funny that the 30 Rock episode the week before has not been mentioned. That also included a McDonald's reference. In that episode, Baldwin plays a soap opera star, Generalisimo, who Salma Hayek's character's mother thinks is evil. To gain her approval, Baldwin has the suave, womanizing Generalisimo seduce AN OLDER WOMAN in the soap opera, saying to her, "Ya wanna go to McDonald's and have coffee?". It was SO funny, and so blatantly commercial and true-to-life.
Is it possible the writing team was trying to show the value of publicity? As in, if you leave the writers alone, they'll come up with better stuff than paid placement. If it wasn't paid for, is it an indication for future advertisers that if they buy in, they'll get an added-value storyline, too? Whatever the reason, the usage was done very well - and just makes the show more addictive (to fans like me). Gayle Goodman, GGPR, New York, NY
http://beancast.us
Smarter: It was an organic (as best we'll ever know) part of the script.
Smartest: It was hilarious in the show! (Made funnier through Salma's accent.)
www.laofficelounge.com/mitch.