Today, at 27, and after a couple of years honing his craft under resident pros like Dick Gordon and Mike Elliott, MacDonald has begun to groove seriously on a diverse range of filmic styles. Of course it was like "riding a bike” when he returned to his video roots for ESPN’s "Without Sports” campaign, cutting "Nelly,” which, ironically, looks a lot like a typical rap clip. But he proved he really knows his way around eye candy on a Canadian spot for Rogers/AT&T, where swish pans and stop-frame effects make an otherworldly experience out of text messaging. More recently, he took a renegade approach to editing "Pitching Machine,” for Wachovia bank. Directed by Robert Logevall, the commercial features an off-kilter POV that follows a baseball shooting out of a pitching machine and zooming straight at the camera. "There were a couple of cuts that theoretically, film school-wise, weren’t right,” he explains. "I show a head-on shot of the ball launching out, and then another head-on shot. Technically, for the geography of the cut, you naturally should show it from behind and then go up front because it gives the viewer a better perspective, but I liked it being a little off.”
MacDonald seems most satisfied at the inroads he’s made in comedy, thanks to his training with Mad River’s comedic guru Gordon, who helped him to land some spots last year on Y&R’s continuing NFL/United Way campaign, a hilarious series in which an earnest VO and nutty docu-style scenes are woven together to show the sweet side of football jocks — including one MacDonald edited featuring the Chicago Bears’ Ted Washington doing a "trust” exercise with kids, only to fall flat on his back. MacDonald has continued his comic cutting on a new round of Axe deodorant spray spots, directed by LeMoine.Miller, revisiting the demo girl who gets her libidinous jollies out on an Axe-laced mannequin.
"It changes with every job,” MacDonald says about his preferred editing style. "I love cutting "Pitching Machine”-style because it’s editing-driven, picture-driven stuff. I also love the slow storytelling, like NFL/United way. Those are definitely my two favorites. The very simple and the very complex. It’s about what’s fun. It’s fun to laugh and tell a simple story that everyone laughs at. And it’s fun to throw all these images at somebody that makes them think, Whoa, that’s cool.”