Just as video game makers have recognized the verisimilitude real world brands can bring to their alternate worlds, Mr. Spielberg looked to brands such as Nokia, Toyota Motor Sales USA's Lexus, Pepsi-Cola Co., Guinness Ltd., Reebok International and American Express to lend veracity to his futuristic story. And advertisers hope the unusual prominence in the movie's story line will gain them some eyeballs they wouldn't get anywhere else.
Two of those advertisers', Nokia and Lexus, are also full-time movie tie-in sponsors, who spent about $5 million to $7 million each in paid-media to promote the tie-in, mostly on TV, according to executives close to the company.
The movie, jointly distributed by Twentieth Century Fox and DreamWorks Pictures, is set in the future where crime can been determined before events occur. Mr. Cruise plays a cop who has the tables turned on him when he is accused of murder.
In one key scene, Mr. Cruise's character runs for a subway, trying to make his getaway. In this world, ads can recognize names and faces. In the space of just 45 seconds, a barrage of interactive billboards call out the name of his character, John Anderton, in an effort sell him their products. "John Anderton, you look like you could use a Guinness." one says.
Bonnie Curtis, producer on "Minority Report," said it was Mr. Spielberg's intention to use real advertisers. "Steven wants you to feel like you are on planet Earth," she said. "He felt that having real companies is better. He said `We are not making a sci-fi. We are making a future reality film."'
To gain control over the ad content, Ms. Curtis said, Mr. Spielberg wanted to use one agency, in this case, 3 Ring Circus, Los Angeles, which was approved by all of the marketeres. (3 Ring Circus, in April, split into two agencies: TAG, Los Angeles, and Concrete Pictures, Philadelphia and Los Angeles.)
In another ad, for Pepsi-Cola's water brand Aquafina, Mr. Cruise's character gets "splashed" from an interactive billboard, as he drives by. Other spots appear as holograms that actors walk through.
For a Reebok spot, a futuristic track appears with hooded athletes in zippy, space-age running suits. Before running what appears to be a 100-meter dash, one athlete programs a computer on his forearm. Reebok appears on the starting blocks.
Lexus created a sports car, the Maglev, for the film. The in-movie commercial is a fantasy sequence featuring a man with a bow and arrow. The images are blended with a woman driving the car in a desert.
In the Nokia spot, a split screen is used to show men and women using a phone with video. A transparent Nokia logo floats through the screen. A spokeswoman denied that Nokia is spending $5 million to $7 million in paid media for the movie; she wouldn't reveal other details.
contributing: hillary chura, tobi elkin, jean halliday