They say: One of the things that distinguishes us as directors is the way in which we use our graphic design skills to tell stories. We like to think of motion as another element of the overall palette along with color, shape, texture, etc. We like to think of this sense of motion as "flow," the way scenes, action, and camera moves relate to each other over the dimensions of time. Since we started, the projects have become larger, the teams have become larger. Still, no matter what the scale of the job we try and keep as intimate relationship to the work as possible. Having an emotional connection with the work allows our intuition to be more involved, which is when the good stuff happens. Maybe that's one of the big changes that's happened, our awareness of the delicate balance between the emotional attachment to the work and the more pragmatic realities of doing the work. Hopefully we have gotten better at walking that tightrope. We just keep pushing ourselves to do stuff that we haven't done before.