Data Visualization Is Reinventing Online Storytelling
And Building Brands in Bits and Bytes

Maybe it was the way CNN's John King made sense of the minutiae of delegate data from this past year's election on a giant touch screen, or how Nate Silver of FiveThirtyEight parsed polling data -- either way the art of "data visualization" has exploded recently and it is fundamentally changing the way we create and consume narratives about events, products and services.
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Google has built a pretty good brand and business off of organizing the world's information, of course. Through its Search, Maps, Trends and Zeitgeist products (to name just a few), Google makes data more accessible to consumers in a meaningful way, all with an eye towards advertising on every byte of it. Google has even -- literally -- pursued this data route to Mars, and has scaled to the moon, sky and ocean, albeit the opportunity for advertising on these newer services is a bit murkier.
Now the mainstream is starting to follow suit:
Publishers: The New York Times, which has always done stunning infographic work, is helping to push data visualization to a mass audience with its "Visualization Lab." The service, created in partnership with IBM, allows users to create visual representations of all sorts of information, such as charts, graphs and maps, and then share and comment. Similarly, the Economist employs data visualization to graphically represent an ongoing conversation as part of its "Debate" series, which enables the user to track the developments and change in sentiment on a daily basis.
Advertisers: Visa, as part of its new "Go" campaign, is integrating data into its advertising. The "Go" microsite features seemingly random bits of data (16,438 people in Paris smiling back at the Mona Lisa) that the user can explore to see how Visa is "helping more people go places and do things." Similarly, the banner ads feature live video streamed from cities (such as Times Square in New York) around the world that show people "going" and utilizes similar data.
Products: Flickr, the online photo-sharing service from Yahoo, just recently released the Flickr Clock a browser -- and very nifty advertisement, actually -- that showcases the videos that users are now able to upload to the site. The videos are graphically displayed in a scrolling timeline that the user controls.
Agencies: The Flickr project was created by Stamen Design, a small San Francisco design studio that has been behind some of the most impressive work in the infographic space. The firm has created the SFMOMA ArtScope project which is a completely interactive and visual browsing tool that makes browsing the 3,500 objects from the museum both immersive and entertaining. The firm also created Oakland Crimespotting, a service that elegantly -- and frighteningly -- maps crimes occurring across the city and enables users to sort through the data in a personally meaningful way (e.g. block-by-block).
Artists: The rock band Radiohead is working to turn data visualization into an art form with its music video, "House of Cards." Using neither cameras nor lights, the band employed two technologies called Geometric Informatics and Velodyne LIDAR to capture 3D data and transform it into a series of stunning images. Radiohead recently opened up the data to the world, in partnership with Google, to remix.
All of this data visualization is, of course, really just a new way to tell stories (or create experiences) out of the very base matter of the web itself. Data visualization is probably not a foreign concept for anyone familiar with the work of information-design pioneer Professor Edward Tufte, but it's the advances in technology at the presentation layer and the new found ability to tap into once hidden data sources that is enabling these new visual scientists to chart a new narrative course.
Now there are two questions that all advertisers, publishers and agencies need to ask of themselves: "What data do you have that is truly valuable?" and "How can you create a meaningful experience or narrative out of it?" The answers, we may find, will become the catalyst for a more authentic way to tell stories in our digital era.
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Garrick Schmitt is group VP-experience planning at Razorfish and the agency's global lead for User Experience. He publishes FEED, Razorfish's annual consumer experience report, and writes and edits the Razorfish Digital Design Blog. In his spare time he flails about on Twitter @gschmitt. The New York Times, CNN, The Economist and Visa are Razorfish clients.















Data visualization is so prominent now because social data is everywhere, you can pull free data from any number of sources and its always so unique and individual as the people who are submitting it.
We recently did a data visualization project that was very successful in terms of getting original data aggregated from the site: http://demos.freedomandpartners.com/thoughtpile/
I do think that more and more sites utilizing twitter and other data sources will be making headlines this year and we will be more unified as a global collective because of it.
http://www.chromeexperiments.com/detail/social-collider/
Photo aggregation from Flickr creating virtual worlds. Amazing really.
Photosynth from Microsoft Livelabs http://livelabs.com/photosynth/
http://www.twitter.com/admaven
http://admaven.blogspot.com
Um - yes data visualisation is old - written words are visualisation of sound data. And graphs and that sure.
But something is very, very different now - because of the scale of data points being collected and aggregated [law of large numbers baby], and the beauty with which we can see them.
Sure Stamen have been doing this for a while - but it is now of the moment.
http://farisyakob.typepad.com/blog/2008/06/ways-of-seeing.html
We've been collecting so much data that has languished untouched or underused, and certainly under-realized for so long due to a lack of creative ways to get true meaning out of it. And the more data the more overwhelming the task to make sense of it all.
Traditional charts and spreadsheets fail to evoke urgency, meaning, and impact, ultimately failing to reach real people and do the one thing we need: elevate us from abstract, large-scale data dumps to another plane of understanding that makes a real connection and prompts action and emotion.
These new ways of assimilating variable data from diverse sources into sensible and relatable visual representations are not just entertaining, they are immediately relevant tools which can spur previously unrealized results.
The MoMa in Manhattan recently featured a fascinating display of new media in which several of the exhibited pieces used similar techniques to produce displays of data that were considered works of art not just for their simple aesthetic appearance but also because of the artistic impact brought by the new level of appreciation for the meaning contained within. Brooklyn crime/jail migration maps and US flight paths and timings dazzled the eye as high art in part because they were presented as moving, vivid, visualiztions but more so because they conveyed tremendous information without presenting a single digit or letter of text.
This is just the tip of the iceberg, so yes, a little of the "look at the tall buildings" effect that Fliegel just commented on, but just wait. There is so much more and right around the corner. Coming from a different angle, Business Intelligence enterprise apps are all ramping up their dashboard capabilities at an impressive clip, making sense of enterprise data for executives. And OS improvements like Apple's CoreGraphics in OS X combined with hardware improvements in graphics chips bring heretofore unseen power to the desktop. As these technologies converge with internet data connectivity and XML-formatted availability, we're due to see some amazing output in the near future. As Garrick evidenced in his linked examples, exceptional creativity is more than at the ready.
I'll be watching carefully to see what's next.
http://twitter.com/luckylou
It is true that creating infographics is not new, but creating a living/breathing interfaces that tells stories based on the enormous amount of data now at our fingertips is -- and it's a heck of a lot easier to do in '09 vs. '99.
For those who are really interested, there are a couple of great resources that aggregate some of the best data visualization work. My favorites are Flowing Data, Information Aesthetics and Processing.org.
Thanks again -- Garrick.
If I can remix a music video, or see crime in my neighborhood, or get a map of twitter conversations' interconnections, or explore my local museum's collection in a whole new way, cool. I can waste more time on the internet.
But just because I'm engaged with your data doesn't mean you've rewritten the rules of narrative.
http://storytelling.blogspot.com
A couple of additional links to share:
A Marketing Edge podcast about the emergence of the visual Web with Jason Falls at South by Southwest--http://bit.ly/mpmdI
A collection of 27 visualizations about the financial crisis--http://bit.ly/hIFje
A financial weather map best practice from the asset management industry--http://bit.ly/vwzbG
Finally, our blog posts on visualizations http://bit.ly/PqOSE
www.stevenstark.net
http://allenmeyerdesign.com/webmood/
http://tinyurl.com/dbt9lj
With all of our access to data now, through APIs and such, the future is going to spin things in a far more exciting manner. Even kids may like looking at data. Take it from me, I am of course a visual scientists. http://www.visualscientists.com
I think the keys to accurate visualization are 1) the gatekeepers - the software or method you use to visualize data and 2) the storytellers - the people who can look at these pictures and write the story. Not everyone has that talent.
http://www.twitter.com/MATSNL65/
And btw, we're having a related discussion over here on web maps and "the virtual geography of buzz". More opinions needed: http://kdpaine.blogs.com/themeasurementstandard/2009/04/the-virtual-geography-of-buzz-mapping-the-viral-web.html
Stan
Frank
http://www.absrocketpro.com
Ben
http://www.howtobuildgolfclubs.com
jimi
http://www.buildingmaintenanceoftoday.com/
A couple of years ago, Denzel Washington starred in the movie "Déją vu", which utilized mapping to see where people were at any given point of time. There are even scenes of spying on people in the privacy of their own homes. This concept is not too far fetched with today's technology and its some pretty scary stuff when you think about it...
Best,
Gaston
http://www.Ultimate-Resell-Rights.com
Danielle
http://www.vacuumcleanersforpethair.com/