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On Kissing Frogs

Some Clients Will Never Be Prince Charming

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Eric Webber Eric Webber
The good news for small agencies is that there are a lot of new-business prospects out there. The bad news is there are a lot of new-business prospects out there.

Pursuing new business is both exhilarating and frustrating no matter what size the agency, but at a small agency you have to be particularly mindful of the amount of time and energy (read that: money) you have to spend kissing frogs.

It takes a great deal of discipline; maybe more discipline than I currently posses. Careless errors in terms of new business have been made, and I'm sure we're bound to make more. And, like just about everyone in this business, I should know better.

Here's an example. In the early days of the agency (a distant ten months ago), I took on a client because I liked him and he really wanted me to work for him. I was flattered by the attention and, while not desperate, I was certainly anxious about adding new clients. So I convinced myself we could make it work. That's a short-sighted way to grow an agency.

No surprise how that ended. We'd picked up other clients who were paying our full rate and they required attention. So this guy didn't get the service he thought he was going to get, and I thought he expected too much for what he was going to pay. I did both of us a disservice by agreeing to the deal.

Actually, I came out worse because I felt bad and didn't even charge him, which may top the list of mistakes I made on this one. (Rule #1: Guilt does not pay the light bill).

It's not like I didn't have plenty of people warning me. The ad agency run by my partners is known and respected for the number of potential clients they turn down. They decline cattle calls and drawn-out competitive pitches. They don't do spec creative. The result is they're very successful.

And I have plenty of colleagues who've either learned similar lessons before me or avoided them entirely and shared their experiences with me. And yet I've still chased prospects too far or too long or just where I shouldn't have.

But I'm getting better. Not long ago I was approached by the owner of a small restaurant chain who was looking for an agency. On his own he had narrowed his list to three, and asked each for a detailed plan. He wanted to see strategy and tactics -- the PR equivalent of doing spec creative.

I suggested that he invite people who had never been to his restaurants to come in and eat for free, and if they liked it they might come back and pay for a meal later on. He said that was a crazy idea. I said I thought it was, too. He hired someone else. It's just as well; I can't work for anyone who lacks a sense of irony.

And besides, turning down business can feel very good.

Here are some thoughts on a couple of other important lessons. And I hope many of you will weigh in with your own.
  1. Many people have told me to trust my gut. They obviously hadn't seen some of the clothing choices I've made, but for the most part that's good advice. Your intuition may let you down a time or two, but the downside of that is rarely bad. It will protect you far more often and there's a serious upside to that.

    There's a caveat though: That doesn't mean you should make snap judgments. Take the time thoroughly vet prospects, particularly in terms of personality match and expectations.

  2. Don't second guess what you're worth. If you discount your price, clients might assume they're getting discount effort. And clients paying the full ride might feel like they're being overcharged.

    That doesn't mean you can't be creative with compensation. I'll consider barter, deferred payment, a cut of the action, performance incentives or pretty much anything else a client suggests, as long as I feel we're fairly compensated when the smoke clears.

  3. Finally (for now) be honest with yourself about what you can and can't do. I have a hard time saying that I'm not good at certain parts of the business. I feel like I can do just about anything. But there is a big difference in being able to do something, and being able to do it well. Don't take on work that you don't really want to do. It's a quick way to earn a reputation for doing mediocre work.
7 Comments
Subscribe to comments on: On Kissing Frogs
  By Mary | Columbia, MD November 12, 2007 10:31:31 am:
Fabulous advice. It is a balancing act, to be sure, deciding how far to go in pursuing a new client. One bit of advice to add to the list: in a market where there are agencies with real expertise in specific industries, don't go too far spending resources to pursue a client in whose industry you do NOT have real expertise. In the past six months, we have pursued some potentially significant accounts, and have made it to the final round on our creativity and personality. In the end, on both, we lost to agencies with direct expertise in the industries of the clients. Very frustrating, but educational. Lesson: clients hire experts, even if they "like" you better on other attributes.
  By Tom Martin | NEW ORLEANS, LA November 12, 2007 10:44:28 am:
Great advice. Agree with the gut comment. If you are getting a bad vibe during the pitch -- it usually just gets worse after you are hired.

One suggestion I'd make -- during the vetting, pitching, dating time period -- try to make at least one good, solid, research supported recommendation to the client which you know will require them to either a) overturn a strongly held belief or b) "admit" that you know or figured out something they didn't. Then watch how the react. If they fight you with opinion versus insight and data -- run for the hills. They probably just want someone to execute their vision versus a firm that can lead them to places they won't find on their own.

Tom Martin
www.helpmybrand.com
New Orleans, LA

  By LARRY | LAKE MARY, FL November 12, 2007 11:38:38 am:
I totally agree. Recently, we lost an RFP process because we, in the words of the Client, "failed to communicate a distinct marketing or creative strategy to specifically address the needs of X".

In other words - "you didn't do spec work".

Besides, how are you supposed to do work without research?...and that takes time and resources.

In our new business efforts, we stand on our results we have achieved for our Clients, not the up-front work we are willing to do for free to potentially earn business. With that credo we have established ourselves as the #5 agency, in billings, in our marketplace, in 5 years.

Everyone Unite - No Free Work!
  By AN99 | Franklin, MA November 12, 2007 11:54:58 am:
"Take the time thoroughly vet prospects, particularly in terms of personality match and expectations."

Sometimes we haven't done this part of the process and end up having to deal with clients who we didn't expect to be so difficult. If we'd known better, we might not have agreed to take them on as clients, saving all involved from a stressful relationship.
  By Rust | Cincinnati, OH November 12, 2007 03:02:54 pm:
I've been through every single thing you describe and more...

And my clients are ad agencies!

Anyone out there without sin? Never led on a composer, a writer, a production company, DP, freelance producer, etc. with the lure of the *next* job? Never asked for a break (or no charge) on "spec" (or presentation) work? Never beat up a supplier for a better rate? Never took advantage of your position as a new (or potential) client for a vendor?

C'mon folks. You should hear the stories your vendors tell about you amongst themselves when they belly up to the bar.

RB
  By Glenda | Austin, TX November 13, 2007 12:40:18 pm:
Your advice works just as well for large agencies, Eric. Having been on both sides of the fence, you'd know that. Tom Martin's comment is intriguing. If you try this, let us know how it works.-- Glenda Goehrs, Austin, TX
  By gigantevaz.com | New York, NY November 13, 2007 03:02:19 pm:
Couldn't agree more with the point about trusting your instincts. Since most of us in this business are generally open-minded and would rather take people at their word than be a 24/7 cynic, we hear what we want to hear and look for the opportunity. But after 19 years of having my own place here in NYC, I can tell you that, chances are, if you think that the person you're dealing with is either: not serious, doesn't make sense, won't pay a decent fee, doesn't respect what you do, is looking for free ideas and isn't going to hire anyone, lives in an echo chamber, doesn't have the power to say yes, gives you the creeps, or seems like someone you'll hate working for, you should walk away.

If you think something's wrong, you're right.

I have never once seen any prospective client I ever decided against pitching turn out to be someone else's good client.

Bill Bernbach said that life was too short to work with people you don't like. Good advice. -- Paul Gigante, Gigante Vaz Partners, NYC




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