December 18, 2009
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Running an Agency Means Living in Parallel Universes

Balancing the Billable Day vs. the Creative Way

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Phil Johnson Phil Johnson
Our creative service manager brought his kids to the office recently, and apparently his 12-year-old made the comment that it didn't look like anyone was doing any work. Like they say, out of the mouths of babes. As far as this youngster was concerned, people spent a good part of the day playing video games, IMing each other, updating Facebook pages and shopping online. That's what agency life might look like to the casual observer, but the truth is that we produce a tremendous body of work every month. Sometimes, it's just hard to see how the work is getting done.

A strange truth about the agency business is that it's very difficult to define productivity. An hour on Twitter may lead to a breakthrough idea. Half a day storyboarding a concept may yield nothing useful. These contradictions have led me to conclude that creative agencies operate in two parallel universes. One universe is made up of billable hours and completion of tasks mapped out on a schedule. The other universe looks more like a chaotic playground where people's actions don't seem to add up to anything productive. I've concluded that the art of running an agency is learning how to inhabit both worlds at the same time.

Once you grow beyond half a dozen employees, you need business-minded people to bring order and rational behavior to the agency model. That's why we need controllers and bookkeepers to demand that we fill out time sheets, to study staff utilization, and to report on agency productivity. There's definitely valuable intelligence in those numbers that informs budgeting, staffing and productivity. Especially during uncertain times, a good grasp of this rational information allows you to project revenue and workloads and avoid huge shocks to the system. We also owe it to our clients to maintain these systems that help us spend their money wisely and report on our progress.

That's one universe. Yet try to run an agency by those rational measures alone and you will stifle all the qualities that make you a creative and innovative organization.

Don't despair. There is another agency universe where time sheets and financial analysis are meaningless. In this other universe, rational information tells you almost nothing about how work gets done and yields little knowledge about creative productivity. To live in this world, you need to accept that this is a messy business where ideas emerge from unlikely sources. Sometimes lightning strikes quickly and a creative concept flourishes in just hours, or minutes. Or the process may be laborious and go through one painful round after another. This is true for every agency function from the development of marketing strategies to program design, not to mention traditional creative activities like copywriting and art direction. You cannot regiment these activities and prescribe how to get them done, or always predict how long they will take. Creative people, in all disciplines, develop their own idiosyncratic ways of working which takes place outside the confines of time sheets and reports. This creativity needs to be nurtured and allowed to flourish according to its own logic, even if it drives your CFO insane.

Enlightened agency management needs to live comfortably in both universes. On one hand, you need to respect the data. I've been tempted to throw the whole time sheet business out the window, but there's valuable information in those reports that can help you plan and anticipate the road ahead. Sometimes it feels like a thankless job but it's worth it to keep that information in front of people and show how it can be useful.

On the other hand, remember that all the data in the world is meaningless without an environment that breeds creativity. If you're lucky enough to attract great talent, give them the conditions to succeed. That includes the physical space to collaborate. It means time to let ideas germinate, and it means mental space to explore without a lot of anxiety. Most important, you've got to have faith that the creative process will prevail, and that good work will get done, even if that means a few hours on Facebook along the way. The next time you see your creative staff goofing off, thank them for all the hard work.
4 Comments
Subscribe to comments on: Running an Agency Means Living in Parallel Universes
  By daryl orris | Minnetonka, MN December 2, 2008 10:42:30 pm:
Dear Phil,

Lucky you, and lucky your crew, to have you.

Most agency people I know live a life of feast and famine, rushed and stressed with long stretches of absolute boredom. I continually lost personnel because of complaints of being overworked, long hours away from the family, impossible deadlines and unreasonable demands placed on them to produce high quality work with short timelines.

Truth be told, clients run the show, at least they did at my shop. I blame this on my competition - if I didn't respond, they would. I had no say, although I made suggestions with campaign plans, timing promotions to coincide with peak sales periods and an ongoing branding strategy to maintain or keep a steady work flow while maintaining their category position for all agency of record accounts -- but short term project work was half of our business. We were doing projects to get agency status.

Why the last minute rush? The answer: strategic, to see what their competition is doing. Just in time marketing it turns out, is just as strategic as just-in-time production and shipping. Product managers are trained in 'Just-In-Time' management which spills over to marketing and promotion. Imagine if Best Buy had Circuit City's plans.

Despite having many clients and representing several industries, everyone wants a big push for the holidays, so beginning in mid-August the rush was on for holiday placements. Then the big lull until spring, then a big push for summer placement. Then another lull until August.

I asked my learned partner, in the biz since the fifties, how to break this cycle. He recommended a three martini lunch with clients. He said then when they loosen up you can get some work -- It worked too. But too little to make enough of a difference for maintaining a constant flow of work. Perhaps bringing your clients to play at your offices might work. Get them high-on-video-games, and then ask about their current strategy.

Your statement about: (...) "These contradictions have led me to conclude that creative agencies operate in two parallel universes (...). Is probably right, although still a conundrum. There has to be a part of our work that can be done in the lull time when we aren't rushing to get ads done for media deadlines so we bill more and play less.

I think you fingered the solution, although clients might find what you suggest and you a bit pretentious in dictating such working terms to them. The clients I had could work with any agency in the country, and often did. I always provided service for my clients being local, as long as we didn't barter over price our they abused my staff. When price was no issue, I met unreasonable demands bringing in freelance help to muddle through the rush projects and absolute media deadlines. When they wanted a deal, it was easy to say we were booked and couldn't handle it -- suggesting the open-times when we were traditionally in a lull. Never worked though.
  By tmac29 | Lawrence, KS December 2, 2008 11:55:47 pm:
I totally agree with what you are saying here. I currently work for my school newspaper ad staff and it is the SAME way. It looks like we are NEVER working, but in reality, we are working 10 times harder than it looks. I am currently the Creative Director and we always are listening to music and laughing, school tours come through and it looks like we are sitting there getting paid to do nothing. Being a national award winning newspaper 2 years in a row comes with hard work, and I hope that people see that also.
  By DOUGLAS | TIGARD, OR December 3, 2008 08:58:59 am:
We did notes on holiday cards yesterday, client campaign strategy today. Tomorrow? Hell, maybe we'll have a taffy pull or something.

Eclectic environments can create exceptional results as long as we all know the goals.

Always great insight, Phil.
  By danielhastings | San Francisco, CA January 11, 2009 12:10:03 am:
Thanks for the post, Phil.

In terms of staff management, I've found that how much emphasis needs to be placed on hard utilization data can be directly tied to overall productivity. One thing I've always loved about this business is that at the end of the day, if you've got something to show and you're ready to show it, no one cares how, when or where you did it. Of course this system favors those that consistently produce the work, as it should. We trust them to spend the time doing whatever they have to do in order to deliver. The flexible environment is offered in return, not as a reward or a perk, but as an agreement; "If this is what you need to give us what we need, you can have it."

But for those who don't understand the agreement from the get-go, for those that misunderstand the give and take, utilization figures give us what we need to do something about it.

There is no question that utilization data is invaluable for planning and client reporting purposes. The only other thing we have is intuition – I'd actually argue that intuition defines a third universe of agency management.



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