The latest occasion was Apple's report on the last quarter of
2012, a record quarter that was nonetheless panned by investors
sniffing a post-Steve Jobs slowdown and the mass realization that
its iPhone finally has a worthy rival in the Samsung Galaxy.
In an interview, technology analyst Rob Enderle stated an
entirely conceivable negative outlook for Apple. As Apple combats a
saturated U.S. market, Mr. Enderle expects a "continual slide, much
like when Jobs left, when it went into a slow then more rapid
decline over 10 years."
And he wasn't the only Apple bear. Ricocheting around the web
last week was a Wall Street Journal article headlined: "Has Apple
Lost Its Cool to Samsung?" CNBC asked "Is Samsung Cooler Than
Apple?"
For a marketing world that has been hanging on every Apple move
for decades, these are huge questions that seem to herald some sort
of new brand order.
They also might be the wrong ones entirely. After all, it's been
a long time since Apple has had to worry about issues of cool --
it's a ubiquitous cultural force with little of the underdog feel
it had when it was the hip alternative to IBM or Microsoft.
Brand-wise, Apple is these days too often understood as the
rebel brand that defined itself against the grim reality of
Microsoft products. When it came to music and especially mobile,
things changed. Apple didn't position itself against then-dominant
BlackBerry, but rather the nonexistence of a beautifully designed,
wonderfully functional small computer that's open to a
constellation of brilliant software developers and happens to make
phone calls. Now Samsung, while hilariously criticizing Apple's
stuck-up rep, has rebelled against a reality where the only option
for this miraculous sort of device is made by Apple.
Unlike, say, the market for jeans or sneakers or even cars, the
world of smartphones seems almost post-cool. Absent a BlackBerry
comeback or a Microsoft surge, there are two options right now if
you want to carry a wholly modern phone. What we're talking about
in the Apple-Samsung showdown is two multinational companies with
gigantic marketing budgets effectively waging a market-share
battle. Together they own 70% of the U.S. smartphone market.
In this sort of Coke-Pepsi contest, traditional notions of cool
go out the window.
Cool, in a marketing context, has historically meant something
like a big corporation borrowing -- or preying on -- some sort of
underground culture to enhance its appeal. The classic example is
the late 1990s club-kid revitalization of Hush Puppies as
chronicled by Malcolm Gladwell in "The Tipping Point." But Apple
and Samsung aren't Hush Puppies; they're the big dogs.