The One Show is one of the premier awards shows, probably lagging
only the Cannes Lions and the D&AD awards in terms of prestige.
So the e-mailed document gives an interesting snapshot of how
lucrative awards shows can be for the organizers, and how much some
agencies are willing to spend on a bid to win -- even in these
harsh economic times.
In all, there were 9,795 entries for the ad awards, at a total
cost to the agencies of $3,507,860. The average cost of an entry
was $358. The database does not account for the interactive or
design entries to the One Show, just the advertising entries. Last
year the One Show had 26,000 entries from 60 countries. Based on
the average price for an entry, the One Show received about $10
million in entry fees, though the organization said the figure was
far lower.
"The erroneous e-mail was an unfortunate mistake made by a
junior member of our staff," Mary Warlick, CEO of the One Club,
told Ad Age. "The e-mail is not a current database and does not
include accurate information." Ms. Warlick further noted that the
One Club is a nonprofit organization. "Any of the agencies that
enter the One Club [awards show] realize that their entry fees
support the industry."
Hungriest for medals
BBDO seems to be by far the hungriest
for medals. The network's Brazilian office, Almap BBDO, had the
most submissions according to the document, with 156. The
second-most entries? That'd be another BBDO office, BBDO, New York,
with 146 submissions. BBDO offices are also in the sixth, 19th and
22nd spots. In total, BBDO offices account for more than 750 of the
entries, and the network spent a total of more than $250,000,
according to the spreadsheet.
Clearly the Omnicom Group network is hoping for a repeat of its
performance last year, when the agency took home a number of
honors, including three Gold Pencils for its HBO "Voyeur" campaign
and two more for AT&T and Havaianas.
BBDO Worldwide President-CEO Andrew Robertson was not apologetic
about the importance his agency places on winning awards but
acknowledged that the costs of entry are overwhelming.
"Awards matter," he said. "They are how we measure the quality
of our work against that of our competitors. BBDO aims to be the
most awarded network of the year, every year. We have 287 offices
trying to win awards every year. We are in them to win them."
He continued, "That said, we wish it didn't cost so much to
enter. We are focusing our entries this year on significantly fewer
awards shows -- the ones we think are most important -- and our
agencies are being more selective about the work they enter and the
categories they enter it in. Accordingly, our overall investment
will be down massively this year over last."
Budgets not much leaner
That awards budgets have not become much leaner in such challenging
economic times is noteworthy, particularly when you consider that
many of the top entrants are agencies that have undertaken one or
more rounds of layoffs in recent months. BBDO alone slashed
hundreds of jobs in North America late last year, citing cutbacks
from Chrysler and other clients.
BBDO's spending was well ahead of the amount spent by the
closest agency, the notoriously award-hungry Leo Burnett, which spent around
$150,000 to enter about 400 different ads or campaigns. JWT, Ogilvy and DDB all appear to have spent about $100,000,
for about 300 entries each, while Crispin Porter & Bogusky
entered nearly 100 times.
Perhaps the only surprises in the top 20 in terms of numbers of
entries: Vancouver-based Rethink Communications, a 60-person shop,
had 87 entries, while MTV Networks had 59, perhaps showing the
media owner's serious intent to become an agency-like player.
Several marketers are also listed as One Show entrants,
including Starbucks and Yahoo, as well as Obama for America, with
one entry.
Not cheap to enter
Entering the One Show isn't cheap. This year agencies must pay $300
for a single entry and $500 for an entire campaign in the print,
outdoor and radio categories. For TV and branded content, costs are
a tad steeper: $400 for a single execution and $550 for a campaign.
Entering an "integrated branding campaign" is the most expensive,
running agencies $700.
One chief creative officer whose agency was listed on the
spreadsheet described the competition as follows: "D&AD is
probably the toughest show of them all to actually win a literal
award in. It's an incredibly difficult show to get a Pencil."
"The One Show is also very difficult, but not as much as
D&AD. Cannes, in my mind, is important for the prestige. ...
The industry puts such stock in it that winning has good value from
that perspective."