Patricia a. Riedman

HIGH SHUDDER SPEED; STOCK PHOTOGRAPHY TAKES TO THE MEAN STREETS: GANGBANGIN' IN L.A. WITH ROBERT YAGER

ROOM TO MOVE;THE BURGEONING RANKS OF SO-CALLED DESIGNER/DIRECTORS, NO LONGER SATISFIED WITH THE STATIC SYMBOL OF THE PAGE, ARE MAKING THE TRANSITION FROM BEING TYPE-CASTED TO DIALOGUE-ING ON. OR AT LEAST THEY'RE TRYING TO, IN A WORLD WHERE FILM AND GRAPHI

NILE-ISM FOR THE '90S; ACCLAIMED RECORD PRODUCER NILE ROGERS OPENED A COMMERCIALS MUSIC HOUSE AND MAD AVE'S NILEPHILES ARE DANCING WITH JOY

TEXAS T-SQUARIN'
DALLAS' ROUGH AND HOUSTON'S SLANTPROVE THERE'S NO LONE STAR AMONG TEXAS
AD CLUB PUBLICATIONS

ANIMATION IN THE STRATA SPHERE

A HIGH FIVE
THEY'RE SMALL, THEY'RE FUN AND THEY DON'T HAVE BIGTIME REPUTATIONS-AT LEAST NOT YET. HEREWITH, A HANDFUL OF SHOPS WHOSE WORK WE USUALLY LOOK FORWARD TO SEEING: KRUSKOPF/OLSON

HEAVENLY HASH
GETTING IT 'JUST WRONG' WITH DEEE-SIGNER MIKE MILLS

JURASSIC SPARK
PAUL MEIJER CAME HERE FROM HOLLAND TO HELP MAKE THAT 'DINOSAUR' CALLED Y&R 'SEXY,' BUT RATHER THAN PRACTICE SAFE SEX, HE FOUND A NEW DUCHY-HE BECAME A DIRECTOR

WONDERSPREAD
THE MAGAZINES OF THE FUTURE BUILD BODY COPY 12 WAYS. BUT CAN YOU READ ANY OF THEM? WE TALK TO SOME ART DIRECTORS ON THE FAR REACHES OF THE GUTENBERG GALAXY

PHILLY BLUNT
STEVE GRASSE AND GYRO ADVERTISING ARE SMOKIN' IN PHILADELPHIA WITH A CHEEKY BRAND OF IN YOUR FACE TWENTYSOMETHINGNESS THAT CAN BE AS CRACKED AS THE LIBERTY BELL

VINE ART
IS IT A FRUIT OR IS IT A VEGETABLE? IT'S TOMATO, A LOOSE-KNIT,
LONDON-BASED DESIGN AND ADVERTISING COLLECTIVE THAT MAY POINT THE WAY TO THE 'POSTLINEAR,' MULTIMEDIA MARKETING FUTURE

ALPHABITS
NO ONE'S PLAYING FOUNDERS-KEEPERS IN THE WILD WORLD OF DIGITAL FONTS, WHERE SELLING FACE IS THE KEY TO SAVING FACE

HIRING LINE
WELCOME TO GARY GUSICK'S VIRTUAL CREATIVE DEPARTMENT, WHERE THE MOTTO IS, 'WHY OWN IF YOU CAN RENT?'

STOCK ON THE ROCKS
TASTE THE FEELING AND RAISE THE CEILING: LINTAS JUST ADDS STOCK
PHOTOGRAPHY FOR THE LATEST ROUND OF BACARDI'S TROPICAL FANTASIES