Facebook Live Turned to Its Own Users for First Ad Campaign
Spots Feature Curious, Quirky Moments That Had Already Been Captured on the Platform
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Facebook has its users to thank for its first campaign promoting Facebook Live, a top priority for the company.
The social media platform has leveraged content created by its own community in a series of fun, quirky vignettes designed to show others what the product is about. Each film counts down "3, 2, 1" and then follows with a cute, live moment, mined from Live videos real users have posted publicly. In one, for example, an adorable, wide-eyed boy braces for his first haircut, while in another, a seemingly innocuous mountain of stuffed animals offers up a hilarious surprise when one of the "toys" lifts its head --revealing a dog in a teddy bear outfit. Friends' emojis and comments then adorn the screen.
"It's still relatively young for us, but it's been a hit," said VP-Marketing Rebecca Van Dyck. The product debuted in April to the general public, and since then, those broadcasting live at any minute has quadrupled. The platform has also seen broadcasts from all seven continents -- as well as from outer space.
"Drafting off of that energy, we're doing a campaign in the U.S. and the U.K," Ms. Van Dyck said. "The intent is to educate and to inspire people to go live with their friends." The company's research showed that while people were aware of Live, "when it came to actually trying it themselves, there are some barriers there," she said.
The brand has set out to address those barriers in a two-phase push focusing on awareness and education. The "3,2,1" films are part of the "awareness" phase and also feature friends in awe watching lighting crackle through the sky, and a very happy guy on a weekend getaway. There's also out of home that includes a massive, multi-screen installation broadcasting "3,2,1" moments simultaneously.
The education segment consists of a series of tutorials that demonstrate how simple it is to go "live," centered around themes such as showing off a hidden talent, or getting something off your chest. Clever, contextual outdoor ads also entice people to use the product, right on the spot. A bus shelter, for example reads, "How to go live when you see someone walking an animal that's not a dog," while one ad sitting above an airport luggage carousel displays, "How to go live while everyone is waiting for the first suitcase to drop."
Created out of Facebook's in-house agency The Factory, the campaign debuts with the awareness spots in the U.K. this Sunday and in the U.S. on Monday, while the tutorial phase will begin running on Monday, November 7. More than 20 vignettes and tutorials will feature on TV and digital.
All the content used in the ads, from video to photos, was shot on Facebook Live on phones. None of it was scripted. "The approach here was to authentically express the product," said Facebook VP-Executive Creative Director Scott Trattner.
"For us, what felt like the right thing to do was just observe and see what people who were using the product were doing with it. In many ways the way people were using it was more inspiring than anything we could have written."
The team had sifted through the Facebook Live Map, which allows users to see the Live videos made around the world. "We really were all over that finding the best moments of people using the product, and essentially, what we did was take those assets and turned them into TV commercials." Mr. Trattner said the creators were compensated for allowing their films to be in the ads.
"What users were already doing "gave shape to the campaign and the way we ideated around it," he said. "The community was already using it, and we're shining a light on that."
This story also appeared on Adage.com.
Credits
- Date
- Oct 21, 2016
- Brand :
- Client :
- Agency :
- The Factory at Facebook
- Creative Director :
- Larry Corwin
- Creative Director :
- Demian Oliveira
- Creative Director :
- Luke Martin
- Copywriter :
- Nick Gelbard
- Copywriter :
- Lonnie Lind-Elliott
- Copywriter :
- Cat Doran
- Copywriter :
- Jay Kamath
- Copywriter :
- Scott Dobbin
- Art Director :
- Elly Taura
- Art Director :
- Parker Grant
- Art Director :
- Melinda Keough
- Art Director :
- Dana Bruington
- Art Director :
- Evan Nagan
- Art Director :
- Stanley Chen
- Art Director :
- Christina Cha
- Art Director :
- Johan Arlig
- Art Director :
- Spencer Sass
- Art Director :
- Tori McGoogan
- Head of Production :
- Margaret McLaughlin
- Producer :
- Adrian Gunadi
- Producer :
- Emily Moore
- Producer :
- Elisabeth Sexton
- Producer :
- Diana Parada
- Producer :
- Felicia Glover
- Producer :
- Brian Coate
- Producer :
- Suzee Barrabee
- Producer :
- Jeff Yee
- Content Producer :
- Heather Michaels
- Print Producer :
- Paul Newman
- Print Producer :
- Dan Southwick
- Business Affairs :
- Susan Conklin
- Engineer :
- Ed Maia
- Engineer :
- Mark Kahn
- Vice President, Consumer and Brand Marketing :
- Rebecca Van Dyck
- Executive Creative Director :
- Scott Trattner
- Marketing Communications Director :
- Jennifer Henry
- Brand Strategist :
- Rachel Coady
- Brand Marketing Manager :
- Whitney Smith
- Brand Marketing Manager :
- Alyssa Rogers
- Brand Marketing Manager :
- Courtney Hori
- Brand Marketing Manager :
- Juleya Diaz
- Brand Marketing Manager :
- Tai-Jung Oliveira
- Editorial Company :
- Spot Welders
- Editor :
- Oliver Hecks
- Editorial Executive Producer :
- Carolina Sanborn
- Editorial Producer :
- Christie Price
- Music Supervision :
- The Teenage Diplomat
- Color :
- Framestore
- Colorist :
- Beau Leon
- Color Producer :
- Andrew McLintock
- Mix and Sound Design :
- Barking Owl
- Motion Graphics Company :
- Shipping and Handling
- Post House :
- Shipping and Handling
- Post Executive Producer :
- Scott Friske
- Post Producer :
- Ashlee Kalinowski
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