This 'sophisticated' car spot reveals how to make an ad on a budget
Campaign for Dacia centers on the brand's ingenuity
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We've seen several campaigns from automakers in recent weeks that have aimed to show how you can still make a car ad despite lockdown restrictions; Skoda, for example, let directors get playfully creative in spots featuring toy cars while a Honda Civic ad from Dubai also made use of a miniature set.
The latest effort comes from Dacia, a Romanian auto brand that's known in Europe as a popular budget choice; and its campaign aims to show that, like the brand, you can be ingenious on a lower budget, by revealing the workings of its own car ad.
Created by Publicis Poke, the spot starts out like a standard car ad with a Dacia driving along a highway at night-time, with the sounds of wind and the roar of the engine. However, as the camera pulls back we see that the car is a model, sitting in front of a background video of a road. The video creators are using glasses and bottles filled with water to create the music, while a hairdryer is creating the sound of the road and even the narration is being delivered in real-time via speakerphone. "You don't need a Hollywood Budget to bag yourself a blockbuster," it says.
The spot was directed and produced by Vania & Muggia through Iconoclast Films, and shot in their flat in Tel Aviv. It took four weeks to produce using three laptops, a drill, a record player, some bike lights and a 1:43 scale model of a Dacia Duster.
Credits
- Date
- Jun 16, 2020
- Client :
- Dacia
- Agency :
- Publicis Poke
- Executive Creative Director :
- Dave Monk
- Group Creative Director :
- Colin Byrne
- Creative Director :
- Rob Butcher
- Creative Intern :
- Levi Sibuns
- Planner :
- Will Eliot
- Business Director :
- Stuart Pond
- Account Director :
- Abby Fox
- Senior Account Manager :
- Elzabe Buys
- Head of Film Production :
- Colin Hickson
- TV Production Assistant :
- Emma Harvard-Jones
- Media Buying Agency :
- MGOMD
- Production Company :
- Iconoclast
- Director :
- Vania Heymann
- Producer :
- Tom Knight
- Producer :
- Kate Sharpe
- Post Producer :
- Amie Kingsnorth
- Post Production :
- MPC
- Director of Color Grading :
- Jean-Clement Soret
- Flame Lead :
- David Filipe
- Nuke Assist :
- Edward Taylor
- Sound :
- Prodigious
- Sound Engineer :
- Michael Powell
- Sound Producer :
- Georgia Brown
- Music by :
- Assa Raviv
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