P&G's 'The Talk' wins Film Grand Prix at Cannes
Latest from marketer's 'Black Is Beautiful Campaign' is a difficult story, beautifully told
Editor's Pick
Yeah, it's another Tide ad award. And that's no surprise. A Cannes Lions Film Grand Prix went to the four-spot Procter & Gamble Co. Super Bowl ad campaign from Saatchi & Saatchi, New York, which made a credible play at turning "It's another Tide ad" into an instant cultural touchstone, says Luiz Sanches, Film Jury president and chief creative officer of Almap/BBDO, Brazil.
But it's another P&G ad "The Talk" from BBDO, New York for P&G's "My Black Is Beautiful" program that came as more of a surprise, winning the second Film Grand Prix.
There was some controversy about the ad in a public jury at the Andy Awards earlier this year. That centered on whether the ad properly in which moms talk to kids about how to deal with various dimensions of racism properly reflected fathers in African-American homes.
That issue didn't come up in the global Cannes jury, Sanches says, and neither pick prompted controversy on the jury. (As president, he doesn't vote, so he didn't have to recuse himself from the honor for his sibling agency, and he doesn't work with P&G anyway, he noted.)
Indeed, while the ad provoked plenty of controversy beyond the Andy jury with the National Review's Michelle Malkin leading a right-wing backlash last summer contending the ad doesn't reflect current race relations -- "The Talk" provoked little debate in the Cannes jury room.
"Even though it had some issues locally, I think 'The Talk' is a great platform that can be used on a global sale," Sanches says.
Indeed, both picks were easy, and he says he didn't feel pressure to award just one Grand Prix, because he likes the message sent by the pairing.
"When we saw the two, I thought it was the right message to set for the next year for the whole industry," Sanches says. "We are missing some humor. But we also need to have some responsibility. We have to engage people in a broader message."
The 2,200 entries in pre-judging were winnowed to 201 for Cannes. Sanches directed the jury to pick Golds first, and they came back with a dozen unanimously.
"For the Grand Prix, I directed them to narrow to four pieces of work, and to my surprise they came back with two," he says. "It was practically unanimous."
Original Story:
Through New Year's, we'll be counting down the best work of the year in TV/Film/Branded Content, Print/Outdoor/Design and Interactive/Integrated (IX) as our picks of the day.
At No. 3 in TV/Film, Procter & Gamble lived up to its "Proud Sponsor of Moms" mantle when it debuted this poignant film that shed light on the particular challenges faced by African-American mothers. It shows how struggles we may have thought were left in the past remain a heartbreaking reality today. Various vignettes depict how mothers balance their fears with hope as they nurture their children in an uncertain world. BBDO New York created the spot, directed by Malik Vitthal via Corner Shop.
Procter & Gamble is both "Proud Sponsor of Moms" and supporter of African-American women, with its ongoing "My Black Is Beautiful" campaign. These concerns merge in the marketer's heart-rending film about the unique challenges African-American mothers have in raising kids -- in decades past, and continuing today.
Scenes that take place over different eras depict moms consoling and educating their children after they encounter racism: one daughter receives a compliment that she's pretty -- "for a black girl," a boy gets called the n-word while another has faced discrimination on the sports field.
The mothers encourage their kids to endure and hold their heads up high, no matter what the challenges. One mom tells her daughter she'll do fine at science camp, but she'll have to "work twice as hard and be twice as smart," and the mother with the "pretty" daughter drives home that she's "beautiful, period."
But there are other fears as well, ones that the women may have little control over. One mom insists that her son take his ID with him to music practice, because it will be late when he returns home. Then a young woman at the steering wheel tells her mother she need not worry because she's a "good driver," but that's not what Mom's real concern is.
Unlike many other socially-conscious ads, the film, entitled "The Talk," doesn't sugarcoat with assurances that things will only get better. It's inspiring yet filled with an unsettling uncertainty -- a thoughtful marketing approach that's sure to promote real conversation.
BBDO New York created the ad, and Malik Vitthal of The Corner Shop directed.
P&G introduced the "My Black Is Beautiful" campaign a decade ago, with the goal of helping black women and girls feel confident about themselves, and in the process, develop a stronger bond with black consumers. The marketer intends this latest ad to open about a broader discussion about discrimination among a spectrum of communities. Further films on the accompanying website for "The Talk" show how real people have dealt with negative bias in their everyday lives.
"We know that bias is not just an African American issue," said Damon Jones, director of global company communications of Proctor & Gamble in a statement. "It's an issue that takes on many shapes and forms, across gender, race, age, weight, sexual orientation, and more. Our goal with 'The Talk' is to help raise awareness about the impact of bias. We are also hopeful that we can make progress toward a less biased future by recognizing the power of people of all backgrounds and races showing up for one another."
Credits
- Date
- Jun 22, 2018
- Brand :
- Procter & Gamble
- Client :
- Procter & Gamble
- Agency :
- BBDO-New York
- Director :
- Malik Vitthal
- Production Company :
- The Corner Shop
- Editorial Company :
- Work Editorial
- Visual Effects :
- The Mill
- Music :
- Pulse Music
- Sound Design :
- Trinitite Studios
- Mix Studio :
- Heard City
- Color Grading :
- Company 3
- Worldwide Chief Creative Officer :
- David Lubars
- Chief Creative Officer :
- Greg Hahn
- Creative Director :
- Marcel Yunes
- Creative Director :
- Rick Williams
- Director, Integrated Production :
- Dave Rolfe
- Executive Producer :
- Dan Blaney
- Associate Creative Director :
- Nedal Ahmed
- Copywriter :
- Nedal Ahmed
- Associate Creative Director :
- Bryan Barnes
- Art Director :
- Bryan Barnes
- Global Account Leader :
- Anita May
- Global Planning Director :
- Sangeet Pillai
- Senior Producer :
- Whitney Collins
- Executive Music Producer :
- Melissa Chester
- Senior Integrated Business Manager :
- Matt Friday
- Director :
- Malik Vitthal
- Executive Producer :
- Anna Hashmi
- Director, Photography :
- Lasse Frank
- Production Designer :
- Wynn Thomas
- Costume Designer :
- Isis Mussenden
- Head of Production :
- Jessica Miller
- Producer :
- Jessica Miller
- Line Producer :
- Stephen Love
- Line Producer :
- Blake Pickens
- Lead Editor :
- Rich Orrick
- Editor :
- Theo Mercado
- Producer :
- Jamie Lynn Perritt
- Executive Producer :
- Erica Thompson
- 2D Lead :
- Jeff Robins
- Producer :
- Sophie Mitchell
- Executive Producer :
- Rachael Trillo
- Composer :
- Dan Kuby
- Composer :
- Julia Piker
- Producer :
- Steve Grywalski
- Executive Producer :
- Dan Kuby
- Sound Designer :
- Brian Emrich
- Mixer :
- Phil Loeb
- Mixer :
- Keith Reynaud
- Producer :
- Sasha Awn
- Producer :
- Andi Lewis
- Producer :
- Clare Movshon
- Producer :
- Alex Lubrano
- Colorist :
- Sofie Borup
- Multicultural Strategic Communications :
- Egami Consulting Group
- Media :
- Hearts & Science
- Website :
- Barefoot Proximity
- Chief Brand Building Officer :
- Marc Pritchard
- Director :
- Kristine Decker
- Associate Director :
- Betsy Bluestone
- Brand Manager :
- Verna Coleman-Hagler
- Senior Manager of Communications :
- Crystal Harrell
- BBIC :
- Randall Smith
- BBIC :
- John Lick
- CMK :
- Brittany Body
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