These funny films aim to do for commercial production what 'The Office' did for 9-to-5 life
Community Films and directors Pam Thomas and Jean portray some familiar scenarios
Editor's Pick
A new web series from Community Films, director Pam Thomas and directorial collective Jean aims to do for the commercial production world what "The Office" did for the 9-to-5 set.
The "Commercials" series portrays some cringe-worthy scenarios which anyone involved in advertising production will surely recognize, and there are moments that will certainly make you laugh—or possibly cry.
Told from the point of view of the hapless production company, the episiodes focus on different aspects of the process and the personalities involved, from the over-involved marketing team to the insecure ad agency, to the egomaniac director. There's the client (seen here) who wants to make the lead actress more "ethnically ambiguous," the meeting that appears to have gone brilliantly until the client calls the moment the production company has left the room; the diva director who won't get out of his car and get back on set; the agency who feels they're being snubbed by the production crew on set; a pre-production meeting that goes off the rails and the young directing team who meet a washed-up "top" director in the break room.
“As commercial directors and former advertising creatives, we’ve experienced hundreds of completely ridiculous moments during productions where we looked at each other and said, ‘this needs to be a show,’” says Natalie Prisco of Jean.
The five minute web films are expertly scripted—they're particularly good at skewering industry fakeness and awkwardness, and the performances spot-on. If you're part of this world, you'll most likely wince with recognition.
Credits
- Date
- Aug 01, 2019
- Client :
- Community Films
- Directed by :
- Jean
- Written by :
- Natalie Prisco
- Story by :
- Jean
- Created by :
- Jean
- Created by :
- Pam Thomas
- Production Company :
- Community Films
- Executive Producer :
- Lizzie Schwartz
- Executive Producer :
- Carl Swan
- Producer :
- Tony Cantale
- Director of Photography :
- Neil Shapiro
- Nate Young :
- Nate Lang
- Maggie Cheng :
- Ana Parsons
- Ashley :
- Ali Hillis
- DK :
- DK Uzoukwu
- Agency Producer :
- Brent Popolizio
- Head Client :
- Rebecca Tilney
- AD :
- Sam Carsons
- EA Woman :
- Rachel Varela
- Editor :
- Angela Cheng
- Production Designer :
- Jace Ford
- Original Score :
- Jay Lifton
- Casting Director :
- Chad McKnight
- Casting Assistant :
- Rachel Varela
- Re-Recording Engineer :
- Robin Buyer
- Re Record :
- Pulse Music
- Colorist :
- Quinn Alvarez
- First AD :
- Julianne Maiello
- Second AD :
- Aban Sonia
- Script Supervisor :
- Lucia Pier
- Production Supervisor :
- Andrea Tello
- Production Coordinator :
- Kathy Burnham
- Art Director :
- Chad Bailey
- Leadman :
- John Horlick
- Set Decorator :
- Marisa Collins
- Prop Master :
- Greg Schultz
- Set Dresser :
- Marty McCue
- Costume Designer :
- Julie Vogel
- Key Costumer :
- Kristin Hazen
- Costumer :
- Ariel Kostrzewski
- Key Make Up :
- Brenna Bash
- Make Up Assistant :
- Laura Connelly
- Camera Operator :
- Bill Robinson
- First AC / A Camera :
- Diona Mavis
- First AC / B Camera :
- Jason Kinney
- Second AC :
- Austin Pedroni
- DIT :
- Lee Summer
- Gaffer :
- Tim Stratton
- Key Grip :
- Marco Pearson
- Sound Mixer :
- Scott Farr
- Boom :
- Jason Brooks
- VTR :
- Mike Waters
- Key PA :
- Francisco Hernandez
- Production Assistant :
- Scott Belsky
- Production Assistant :
- Patrick McElroy
- Production Assistant :
- Scott Kukla
- Production Assistant :
- Phoebe MacCurrach
- Production Assistant :
- Jeremy Meizlish
- Production Assistant :
- Tony Paoli
- Production Assistant :
- Ted Sheahan
- Special Thanks :
- House Casting
- Special Thanks :
- Cosmo Street Editorial
- Special Thanks :
- Pulse Music
- Special Thanks :
- Apache
- Editor :
- Angela Cheng
- Editor :
- Aaron Langley
- Editor :
- Barney Miller
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