Feel the Soul of Football in Anomaly's Latest for Dick's Sporting Goods
Derek Cianfrance returns to direct stirring ad
Editor's Pick
It's not Nike, it's not adidas, it's not Gatorade. But Anomaly's latest spot for Dick's Sporting Goods captures the athletic intensity worthy of such major sports advertisers -- and then some. Continuing an idea the agency launched in a baseball-related spot in February, "Every Snap" throws the viewers straight into the heart of a tense football game, with the most miniscule of detail -- from every player's move toeach referee whistle to every audience hurrah palpable throughout.
@radical.media's Derek Cianfrance, who just came off shooting the feature "Place Beyond the Pines," returned to direct, but the technique here differs from that of the previous commercial. According to Anomaly Creative Director Seth Jacobs, while the baseball spot Every Pitch used a motion control dolly track, the football ad required a tricked-out spider cam. "We kept it inches from the ground and had to customize the rig to make this possible," Mr. Jacobs said. "A deflated soccer ball was inserted into the rig to act as a shock absorber to help make it smooth."
And unlike the baseball spot, the latest ad posed more complicated challenges when it came to talent. "We had to choreograph 22 players as well as referees and coaches," Mr. Jacobs said. "In the baseball ad, there was basically no movement for what the camera was doing. This spot was, in effect, a ballet, where the camera was weaving in and out."
Both commercials illustrate the varied nuances of each sport. "Baseball is a calm moment of anticipation, where subtle shifts are made and encouragement and watch outs are made known," explained Mr. Jacobs. "In football, an entire chess match of action goes down. Actions and reactions happen with every player, and plays get changed, determining the outcome of the game."
Credits
- Date
- Jul 16, 2013
- Brand :
- Dick's
- Client :
- Dick's
- Agency :
- Anomaly
- Chief Creative Officer :
- Mike Byrne
- Creative Director :
- Seth Jacobs
- Creative :
- Taylor Twist
- Creative :
- Mike Warzin
- Head of Production/Executive Producer :
- Andrew Loevenguth
- Producer :
- Matt Flaherty
- Production Company :
- @radical.media
- Director :
- Derek Cianfrance
- Executive Producer :
- Frank Scherma
- Executive Producer :
- Donna Portaro
- Executive Producer :
- Tommy Turtle
- Head of Production :
- Cathy Dunn
- Production Supervisor :
- Rebecca Deelo
- Director, Photography :
- Peter Deming
- 1st Assistant Director :
- Mark Frishman
- Art Director :
- Timmy Hills
- Costume Designer :
- Jim Mancusso
- Casting/Football Supervisor :
- Mike Fischer
- Editorial Company :
- Rock Paper Scissors
- Editor :
- Biff Butler
- Executive Producer :
- Eve Kornblum
- Producer :
- Melanie Gagliano
- Post Production :
- Company 3
- Telecine :
- Tom Poole
- Executive Producer :
- Tara Dowd
- Visual Effects Flame Artist :
- Framestore
- Executive Producer :
- James Razzall
- Senior Producer :
- Graham Dunglinson
- Visual Effects Supervisor :
- Alex Thomas
- Visual Effects/Comp Supervisor :
- Sharron Marcussen
- CG Supervisor :
- James Dick
- Flame Artist :
- Raul Ortego
- Flame Artist :
- Tom Leckie
- Sound Designer :
- Brian Emrich
- Sound Mix :
- Sound Lounge
- Mixer :
- Rob Sayers
- Music :
- Soup Music
- Composer :
- Andy Huckvale
- Song Title :
- Sawtooth
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