Vanity Fair does Star Wars, the Vogue thief, Esquire’s editor to exit: Publisher’s Brief
Welcome to the latest edition of Ad Age Publisher’s Brief, our roundup of news from the world of content producers across digital and print. Got a tip? Send it our way. Joining us late? Here’s the previous edition.
Hooray! Somebody’s gonna sell a lot of print media! OK, to Star Wars nerds, but still. Hat’s off to Vanity Fair Editor-in-Chief Radhika Jones for showing that not only does her magazine still have enough juice to land an original Annie Leibovitz shoot with Star Wars stars (above), but for having enough room left in her budget to keep Leibovitz on contract.
As for the cover story itself, Vanity Fair has helpfully (and wisely) self-aggregated via this post: “Everything New Revealed in Vanity Fair’s The Rise of Skywalker Cover Story” (subhead: “All the details uncovered in Lev Grossman’s story and in Annie Leibovitz’s exclusive portrait gallery).
A sad, small story that emerged from the publishing world this week represents something larger (and still sad) to me. ICYMI: “Ex-Vogue staffer gets probation for stealing from top editor,” per the New York Post. As the tabloid’s Rebecca Rosenberg writes in the story that appears in the paper’s print edition this morning,
A former Vogue staffer who admitted to stealing thousands of dollars from the fashion magazine’s former creative director was sentenced Wednesday to three years’ probation. Yvonne Bannigan, 26, strolled into Manhattan Supreme Court Wednesday wearing a black-and-white polka dot dress. The Dublin-born fashionista previously pleaded guilty to one count of fourth-degree grand larceny for racking up $32,209 in unauthorized charges on legendary Vogue creative director Grace Coddington’s credit card.
Bannigan worked at Vogue for a bit before becoming Coddington’s personal assistant in 2016; her arrest for the unauthorized charges, made over time, came in April 2018. What makes this story symbolic is that it’s another reminder of the end of an era: that magazine-media heyday when there was so much profit sloshing around that the top brass at major glossies were invariably very well compensated—with the superstars of the print industry becoming legitimately wealthy.
I have no intel on Coddington’s Condé-era compensation, but for years she was the biggest star at Vogue other than Editor-in-Chief Anna Wintour, who was reportedly pulling down more than $2 million even before Condé Nast made her companywide artistic director (while still keeping her Vogue EIC role) in 2013. The fact that Coddington had the money to employ a personal assistant—and that the personal assistant thought she could get away with slipping tens of thousands of dollars of charges into Coddington’s stream of spending undetected —suggests, well, a very different level of financial comfort than that experienced by today’s younger generation of editorial talent.
The New York Times gives a less-than-charitable send-off to Jay Fielden upon today’s announcement that Esquire’s top editor is leaving after three years on the job. Per the paper’s Marc Tracy,
Mr. Fielden, 49, had a tough act to follow. His predecessor, David Granger, won 17 National Magazine Awards during his 19 years in charge. But the magazine failed to win an Ellie statuette while Mr. Fielden held the top job. Esquire also lost out on a high-profile story—an investigative article on accusations of sexual misconduct against the Hollywood director Bryan Singer—in a very public way during Mr. Fielden’s tenure.
Tracy notes that the story was mysteriously spiked and ended up being published by The Atlantic.
A WWD exclusive: “Refinery29 Introduces French Language Edition.”
Rush to judgment: “Geoffrey Rush wins biggest ever defamation payout in Australia,” per the BCC. The amount is 2.9 million Australian dollars (just under $2 million in U.S. dollars), and the judgment was made against Nationwide News, which publishes Australia’s Daily Telegraph. “The Sydney newspaper had published stories accusing him of behaving inappropriately towards former co-star Eryn Jean Norvill,” the BBC notes.
The print-digital divide is over in yet another newsroom: