Coors Light plugs beer as a pandemic coping aid in ad voiced by Paul Giamatti

‘If history has taught us anything, it’s that sometimes we could all just use a beer,’ the actor says, making references to the Revolutionary War and Great Depression

Published On
Apr 28, 2020

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Coors Light references beer’s role in historical events like the Great Depression and the Revolutionary War in a new ad that positions the brew as something to help cope with the coronavirus.

The ad from DDB Chicago is voiced by actor Paul Giamatti. It kicks off a new program called “#CouldUseABeer” in which people can ask the brand on social media to cover the cost of a six-pack for someone they know. “If history has taught us anything, it’s that sometimes we could all just use a beer,” Giamatti says in the spot, which will get airplay on TV and digital.

The ad was inspired by 93-year old Olive Veronesi, a Pittsburgh-area resident who drew national headlines earlier this month after a photo of her went viral that showed her staring out her window holding dry-erase board reading “I need more beer!” while clutching a Coors Light.  Coors Light responded by sending her 150 cans of the beer.

“We saw that there was a genuine opportunity for us to do something authentic to the role that beer is playing in people’s lives right now—in a way that would hopefully make people smile,” Molson Coors Chief Marketing Officer Michelle St. Jacques said in a statement about the new ad.

Veronesi’s viral photo—which was reportedly taken by a relative—appears at the end of the spot. The ad begins with a reference to the Revolutionary War, noting that George Washington kept his troops motivated with beer. (Washington ensured that soldiers in the Continental army got one quart of beer or cider per day, according to the National Constitution Center.) The spot then transitions to the Great Depression, alluding to how it helped spur the end of Prohibition. Then the ad flashes forward to the ongoing pandemic, which Giamatti refers to as “sucky, suck-suck suckiness of historical proportions.” He continues: “We know this won’t fix it, but how 'bout some beer?”

The spot asks people to tag friends on Twitter who deserve a six-pack while also using @CoorsLight and “#coulduseabeer.” According to the rules, recipients must apply to be reimbursed via PayPal by submitting an image of their sales receipt at a special website.

The ad’s message of beer providing a simple pleasure in tough times is hardly a revelation: While many bars remain shut down, beer sales at grocery and other outlets have been surging for weeks. Sales continued to grow at a double-digit pace in the week ending April 18, according to Nielsen data cited this week by beer trade publication Beer Marketer’s Insights. 

Coors Light is positioning “#CouldUseABeer” as part of its larger “Made to Chill’ campaign that launched last year and puts the beer at the center of activities portrayed as escaping the stress of the hyper-connected, always-on world, like drinking a Coors Light in the shower.

“The reality is the campaign has never been more relevant than it is right now. People need a moment now more than ever,” St. Jacques said in the statement. The new ad follows other pandemic-influenced marketing moves, like Coors Light using its social media accounts to plug a new line of branded “soft clothes” which are meant to be worn while working at home—a situation countless people are in.

With the new ad, DDB tried to stand apart from the countless campaigns now running, featuring somber music and montages, a trend that comes as brands face hurdles making new work with ad shoots shut down.

“It’s time to move on from the slide shows of still photos and sad pianos,” Britt Nolan, chief creative officer for DDB North America, said in a statement to Ad Age. He acknowledged that “we’re still in a really tough production environment.” The agency still had to rely on historical art, stock photography and footage from Coors’ archive. But it sought to give it life by using animation and visual effects. Post-production was handled by Elastic.

“It was a uniquely challenging production,” Nolan said. “We wanted to get this idea into the world as fast as humanly possible. So we were doing everything at the same time, from as many different locations as there were people. And of course, we were constantly tweaking the story and revising the script, because that’s what we do.”

Credits

Date
Apr 28, 2020
Client :
Coors Light
Agency :
DDB Chicago
Chief Creative Officer Global :
Ari Weiss
Chief Creative Officer North America :
Britt Nolan
Executive Creative Director :
Colin Selikow
Creative Director :
Chris Walker
Creative Director :
Alan Shen
Associate Creative Director :
Dan LaVigne
Copywriter :
Joey Johnson
Chief Production Officer :
Diane Jackson
SVP Executive Producer :
Matt Blitz
Executive Producer :
Keith Jamerson
Executive Art Producer :
Suzanne Koller
Senior Producer :
Susan Cartland
Production Manager :
Jillian English
VP Strategy Director :
Matt Babazadeh
Digital Director :
Mike Norgard
SVP Group Account Director :
Kiska Howell
Account Director :
Jonathan King
Project Manager :
Jen Polan
Post Production :
Elastic
Creative Director :
Angus Wall
Creative Director :
Lisa Bolan
Designer :
Erika Bird
Animator :
Lindsay Leonard
Animator :
Chad Danieley
Animator :
Jon Taylor
Animator :
Chavilah Bennett
Animator :
Mark Feldman
Animator :
Tnaya Witmer
Online Editor :
Andrew Young
Flame Assist :
Sam Kolber
Coordinator :
Megan Rodriguez
Producer :
Kevin Daly
Executive Producer :
Luke Colson
Head of Production :
Kate Berry
Managing Director :
Jennifer Sofio Hall
Editorial :
Rock Paper Scissors
Editor :
Zoe Mougin
Assistant Editor :
Evan Ostrow
Producer :
Sasha Grubor
Head of Production :
Dre Krichevsky
Executive Producer :
Shada Shariatzdeh
Managing Director :
Eve Kornblum
Audio :
Lime Studios
Audio Engineer :
Rohan Young
Music :
KOM
Composer :
Phillip Kay
Producer :
Andy Oskwarek

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